{"id":129,"date":"2026-09-04T09:14:31","date_gmt":"2026-09-04T07:14:31","guid":{"rendered":"https:\/\/www.erikamerjava.cz\/?page_id=129"},"modified":"2026-09-15T21:16:09","modified_gmt":"2026-09-15T19:16:09","slug":"velka-petka","status":"publish","type":"page","link":"https:\/\/www.erikamerjava.cz\/index.php\/velka-petka\/","title":{"rendered":"Velk\u00e1 p\u011btka"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong>O tom, \u010demu v\u011b\u0159\u00edm a z \u010deho vych\u00e1z\u00edm: my\u0161lenky, inspirace, podn\u011bty<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Velk\u00e1 p\u011btka<\/strong> jako p\u011bt lid\u00ed, kte\u0159\u00ed m\u011b na m\u00e9 cest\u011b nejv\u00edc ovlivnili. Ka\u017ed\u00fd z nich jinak. Spole\u010dn\u011b se potk\u00e1vaj\u00ed v tom, co je pro m\u011b dnes d\u016fle\u017eit\u00e9: \u010dlov\u011bk, hra, tvo\u0159ivost, svoboda, otev\u0159enost, komunikace, dialog, objevov\u00e1n\u00ed, zv\u00eddavost a aktivn\u00ed postoj k \u017eivotu.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Ivan Vysko\u010dil<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Hra, Dialogick\u00e9 jedn\u00e1n\u00ed, zp\u011btn\u00e1 vazba a nehotovost<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ivan Vysko\u010dil je pro m\u011b z\u00e1sadn\u00ed p\u0159edev\u0161\u00edm t\u00edm, \u017ee propojil divadlo, herectv\u00ed a dramatickou tvorbu s ka\u017edodenn\u00edm \u017eivotem. Hra pro n\u011bj nen\u00ed volno\u010dasov\u00e1 aktivita ani prost\u0159edek k vytvo\u0159en\u00ed \u201edobr\u00e9ho p\u0159edstaven\u00ed\u201c. Je zp\u016fsobem byt\u00ed, kter\u00fd \u010dlov\u011bku umo\u017e\u0148uje z\u016fstat \u017eiv\u00fd, otev\u0159en\u00fd a v kontaktu se sebou i s druh\u00fdmi. Vysko\u010dil m\u011b p\u0159ivedl k my\u0161lence hry jako existenci\u00e1ln\u00edho principu \u010dlov\u011bka \u2013 ke schopnosti b\u00fdt v situaci, reagovat na to, co p\u0159ich\u00e1z\u00ed, nev\u011bd\u011bt p\u0159edem a nechat v\u011bci vznikat. Hr\u00e1t si s nev\u011bd\u011bn\u00edm a chybou. S t\u00edm souvis\u00ed i jeho discipl\u00edna Dialogick\u00e9 jedn\u00e1n\u00ed, kter\u00e1 je pro m\u011b d\u016fle\u017eit\u00e1 jako zp\u016fsob setk\u00e1v\u00e1n\u00ed, dialogu a zp\u011btn\u00e9 vazby zalo\u017een\u00fd na otev\u0159enosti, zv\u011bdavosti a skute\u010dn\u00e9m naslouch\u00e1n\u00ed. Bl\u00edzk\u00fd je mi tak\u00e9 Vysko\u010dil\u016fv smysl pro paradox a humor. Pr\u00e1v\u011b v paradoxu se \u010dasto objev\u00ed n\u011bco pravdiv\u00e9ho \u2013 n\u011bco, co bychom p\u0159i p\u0159\u00edli\u0161 v\u00e1\u017en\u00e9m a jednozna\u010dn\u00e9m pohledu p\u0159ehl\u00e9dli. Ve sv\u00e9 pr\u00e1ci se sna\u017e\u00edm vytv\u00e1\u0159et prostor, kde \u010dlov\u011bk nemus\u00ed p\u0159edem v\u011bd\u011bt, jak\u00fd m\u00e1 b\u00fdt. Ale sp\u00ed\u0161e nechat se b\u00fdt. \u010clov\u011bk m\u016f\u017ee zkoumat, co p\u0159ich\u00e1z\u00ed, pt\u00e1t se, hr\u00e1t si, d\u011blat chyby a objevovat, co se stane, kdy\u017e dovol\u00ed situaci skute\u010dn\u011b vzniknout.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Martin Buber: J\u00c1-TY<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Vztah J\u00c1-TY a dialog<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Martin Buber je pro m\u011b d\u016fle\u017eit\u00fd p\u0159edev\u0161\u00edm sv\u00fdm pojet\u00edm vztahu. Vych\u00e1z\u00ed z toho, \u017ee \u010dlov\u011bk se nem\u016f\u017ee skute\u010dn\u011b poznat s\u00e1m o sob\u011b, ale teprve ve vztahu k druh\u00e9mu \u010dlov\u011bku. Rozli\u0161uje mezi vztahem J\u00e1\u2013Ono, v n\u011bm\u017e druh\u00e9ho \u010dlov\u011bka pozoruji, hodnot\u00edm a d\u011bl\u00e1m z n\u011bj objekt, a vztahem J\u00e1\u2013Ty, v n\u011bm\u017e se s druh\u00fdm skute\u010dn\u011b setk\u00e1v\u00e1m. Pr\u00e1v\u011b v tomto setk\u00e1n\u00ed m\u016f\u017ee vzniknout dialog \u2013 prostor, kde se oba mohou uk\u00e1zat takov\u00ed, jac\u00ed jsou, a z\u00e1rove\u0148 se o sob\u011b n\u011bco nov\u00e9ho dozv\u011bd\u011bt. To je bl\u00edzk\u00e9 i m\u00e9 pr\u00e1ci. V\u011b\u0159\u00edm, \u017ee \u010dlov\u011bk roste a pozn\u00e1v\u00e1 s\u00e1m sebe p\u0159edev\u0161\u00edm ve vztahu, v prostoru setk\u00e1n\u00ed, hry a dialogu. Nechci lidi formovat podle p\u0159edem dan\u00e9 p\u0159edstavy. Zaj\u00edm\u00e1 m\u011b, co mezi lidmi vznikne, kdy\u017e dostanou prostor b\u00fdt sami sebou.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Eugen Fink<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Hra jako zp\u016fsob existence<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Eugen Fink pat\u0159\u00ed mezi v\u00fdznamn\u00e9 filozofy, kte\u0159\u00ed se zab\u00fdvali hrou jako z\u00e1kladn\u00edm fenom\u00e9nem lidsk\u00e9 existence. Ne jako volno\u010dasovou aktivitou, ale jako n\u011b\u010d\u00edm, co je hluboce spojeno s t\u00edm, jak \u010dlov\u011bk \u017eije a jak ve sv\u011bt\u011b je. Je mi bl\u00edzk\u00e1 pr\u00e1v\u011b p\u0159edstava, \u017ee jsme ve h\u0159e. V tu chv\u00edli \u017eivot trochu ztr\u00e1c\u00ed svou t\u011b\u017ekost. Hra v sob\u011b m\u00e1 lehkost, hravost, v\u00e1\u0161e\u0148 a \u017eivost, ale tak\u00e9 chybu, nejistotu a mo\u017enost n\u011bco zkusit znovu. Nemus\u00edme v\u0161echno dokonale zvl\u00e1dnout a podat bezchybn\u00fd v\u00fdkon. I chyba je sou\u010d\u00e1st\u00ed hry a t\u00edm i sou\u010d\u00e1st\u00ed existence. Tento pohled na hru se pro m\u011b potk\u00e1v\u00e1 s divadlem i se samotn\u00fdm \u017eivotem. P\u0159ipom\u00edn\u00e1 mi, \u017ee \u017eivot nemus\u00edme jen \u201ezvl\u00e1dat a dosahovat v\u00fdkon\u016f\u201c. M\u016f\u017eeme v n\u011bm tak\u00e9 hr\u00e1t, tvo\u0159it, riskovat, m\u00fdlit se a b\u00fdt v n\u011bm naplno \u017eiv\u00ed. Prost\u011b jen b\u00fdt. Jako ve h\u0159e.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Tom\u00e1\u0161 Hal\u00edk<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Paradox, dialog, otev\u0159enost a hled\u00e1n\u00ed<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Tom\u00e1\u0161 Hal\u00edk je pro m\u011b \u010dlov\u011bkem dialogu, paradoxu a otev\u0159enosti. Bav\u00ed m\u011b jeho schopnost vracet se znovu ke stejn\u00fdm ot\u00e1zk\u00e1m a d\u00edvat se na n\u011b poka\u017ed\u00e9 trochu jinak a hloub\u011bji. Nem\u00edt hotovo. Neuzav\u00edrat v\u011bci jednoduchou odpov\u011bd\u00ed. Je mi bl\u00edzk\u00e1 jeho snaha stav\u011bt mosty mezi lidmi, spole\u010denstv\u00edmi a r\u016fzn\u00fdmi zp\u016fsoby my\u0161len\u00ed. U\u010dit se od lid\u00ed, kte\u0159\u00ed vid\u00ed sv\u011bt jinak ne\u017e j\u00e1, a nechat se jejich pohledem obohatit. Ne proto, abychom se na v\u0161em shodli, ale abychom l\u00e9pe porozum\u011bli sob\u011b i druh\u00e9mu. Hal\u00edk m\u011b inspiruje tak\u00e9 svou odvahou j\u00edt na hloubku. Vrac\u00ed se k v\u011bcem, o kter\u00fdch si mysl\u00edme, \u017ee je zn\u00e1me, a pt\u00e1 se znovu. Co je je\u0161t\u011b ve v\u011bt\u0161\u00ed hloubce? Co kdy\u017e odpov\u011b\u010f je je\u0161t\u011b jinde? Je mi bl\u00edzk\u00e1 jeho p\u0159edstava \u017eivota jako otev\u0159en\u00e9 ot\u00e1zky. Tajemstv\u00ed \u017eivota nen\u00ed n\u011bco, co m\u00e1me jednou prov\u017edy rozlu\u0161tit. Je to n\u011bco, k \u010demu se m\u016f\u017eeme cel\u00fd \u017eivot vracet, znovu se pt\u00e1t, hledat a objevovat.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Jan Amos Komensk\u00fd<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Bez cht\u011bn\u00ed nen\u00ed u\u010den\u00ed aneb jak zap\u00e1lit ohe\u0148 v \u010dlov\u011bku.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Jan Amos Komensk\u00fd m\u011b zaj\u00edm\u00e1 hlavn\u011b proto, \u017ee se d\u00edv\u00e1 na to, jak \u010dlov\u011bka, a p\u0159edev\u0161\u00edm d\u00edt\u011b, p\u0159irozen\u011b zap\u00e1lit pro pozn\u00e1v\u00e1n\u00ed. Jak v n\u011bm probudit chu\u0165 u\u010dit se, aby se u\u010den\u00ed nestalo n\u011b\u010d\u00edm, co \u201emus\u00ed\u201c, ale co samo chce ve sv\u00e9 zv\u011bdavosti. Komensk\u00fd zd\u016fraz\u0148uje, \u017ee \u0161kola m\u00e1 b\u00fdt hrou. Ne ve smyslu pouh\u00e9 z\u00e1bavy, ale jako zp\u016fsob, jak d\u00edt\u011b vt\u00e1hnout do sv\u011bta pozn\u00e1n\u00ed. Pt\u00e1 se, jak d\u00edt\u011b nebo \u017e\u00e1ka zap\u00e1lit, aby se n\u011bco skute\u010dn\u011b nau\u010dil \u2013 aby u\u010den\u00ed nebylo vn\u011bj\u0161\u00ed povinnost\u00ed, ale \u017eivou zku\u0161enost\u00ed. Pr\u00e1v\u011b v tom je mi bl\u00edzk\u00fd. Kdy\u017e se u\u010den\u00ed propoj\u00ed s hrou, m\u016f\u017ee se v n\u011bm objevit lehkost, zv\u011bdavost i radost. \u010clov\u011bk nen\u00ed poh\u00e1n\u011bn t\u00edm, co mus\u00ed, ale t\u00edm, co ho zaj\u00edm\u00e1, k \u010demu m\u00e1 vnit\u0159n\u00ed vztah a co skute\u010dn\u011b chce.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Mezi dal\u0161\u00ed inspir\u00e1tory m\u00e9ho p\u0159\u00edstupu pat\u0159\u00ed nap\u0159\u00edklad C. G. Jung a jeho pr\u00e1ce s imaginac\u00ed a vnit\u0159n\u00edm sv\u011btem \u010dlov\u011bka, Carl Rogers a jeho d\u016fraz na svobodu, p\u0159ijet\u00ed a vztah jako prostor, v n\u011bm\u017e m\u016f\u017ee \u010dlov\u011bk r\u016fst, Viktor Frankl a jeho psychologie zalo\u017een\u00e1 na hled\u00e1n\u00ed smyslu, a G. K. Chesterton se sv\u00fdm smyslem pro paradox, humor a zd\u00e1nlivou absurditu, i dal\u0161\u00ed myslitel\u00e9 humanistick\u00e9ho p\u0159\u00edstupu.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>O tom, \u010demu v\u011b\u0159\u00edm a z \u010deho vych\u00e1z\u00edm: my\u0161lenky, inspirace, podn\u011bty Velk\u00e1 p\u011btka jako p\u011bt lid\u00ed, kte\u0159\u00ed m\u011b na m\u00e9 cest\u011b nejv\u00edc ovlivnili. Ka\u017ed\u00fd z nich jinak. Spole\u010dn\u011b se potk\u00e1vaj\u00ed v tom, co je pro m\u011b dnes d\u016fle\u017eit\u00e9: \u010dlov\u011bk, hra, tvo\u0159ivost, svoboda, otev\u0159enost, komunikace, dialog, objevov\u00e1n\u00ed, zv\u00eddavost a aktivn\u00ed postoj k \u017eivotu. Ivan Vysko\u010dil Hra, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"episode_type":"","audio_file":"","podmotor_file_id":"","podmotor_episode_id":"","cover_image":"","cover_image_id":"","duration":"","filesize":"","filesize_raw":"","date_recorded":"","explicit":"","block":"","itunes_episode_number":"","itunes_title":"","itunes_season_number":"","itunes_episode_type":"","footnotes":""},"class_list":["post-129","page","type-page","status-publish","hentry"],"blocksy_meta":{"styles_descriptor":{"styles":{"desktop":"","tablet":"","mobile":""},"google_fonts":[],"version":7}},"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 5.0.3 - aioseo.com -->\n\t<meta name=\"description\" content=\"O tom, \u010demu v\u011b\u0159\u00edm a z \u010deho vych\u00e1z\u00edm: my\u0161lenky, inspirace, podn\u011bty Velk\u00e1 p\u011btka jako p\u011bt lid\u00ed, kte\u0159\u00ed m\u011b na m\u00e9 cest\u011b nejv\u00edc ovlivnili. 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